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Your internet browsing and torrent downloads on Mac are fully visible to your ISP, which in many cases has the power to collect your data and hand it over to third parties.Ī good VPN app for torrenting on Mac, like KeepSolid VPN Unlimited, protects you by hiding your real IP address and also encrypting your traffic.

How can anybody find out about your torrenting? Easily. Music and film companies are known to track torrent activity and initiate court cases against individuals suspected of copyright infringement. Downloading such files can bear legal consequences in the majority of countries.
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Though torrents, BitTorrent technology, and torrent software for Mac themselves are completely safe and legal, many of the shared files may be subject to copyright laws. I will be complimentary and say that this is a competent film, but I truthfully can't see myself ever revisiting it.A major concern is the legality of torrenting. I can't get myself to recommend this film to anyone, because I truly believe you will either find yourself enjoying either the war side of the story or the aftermath, but not the two together. All of that said, this film is average at best. On the other hand, the performances are all terrific and the manipulation of the war scenes intercut with the happiness of the Super Bowl was pretty effective. The pacing is quite bad and the premise itself doesn't work as a feature film. Looking back on this film, I have to admit that I found myself bored quite often. I always felt moved whenever an actor/actresses was delivering a compelling line of dialogue, and this aspect alone made this film worth watching. The one thing I was able to praise about this film were the performances. Never did I expect to see a film about the aftermath of war with Garrett Hedlund, Kristen Stewart, and Steve Martin as core performances. All of this on the table, I found myself faced with the impossible task of criticizing these actors.Īside from a few inessential characters throughout the film, whether Kristen Stewart was playing off Joe Alwyn or Steve Martin was delivering his few lines, everyone seemed to be giving it their all in these roles, and I respected that more than anything else. For that reason, it either felt like filler or manipulation for its audience. This film places these two connective events together in such a way that matter and works in context with the film, but the war sequences are really only shown when nothing else interesting is going on. Not to say that it wasn't effective, because there were a few moments when I found myself becoming moved by the story at hand. Yes, the fact that the world is never truly able to see and feel what these soldiers have been through is more than true, but when this tactic is used as an entire feature film in order to make the present-day storyline more impactful, it seems a little manipulative to me. I truly feel as though this film would've worked better as either a Documentary or a three hour epic, showcasing the war itself, as well as the aftermath. Constantly cutting back and forth from the war to the events at the Super Bowl felt very jarring at times.

It's not that it's poorly structured or anything, but it's the fact that the war itself (shown through flashbacks) would have made a great story on its own. In itself, this is not much substance to make a film out of, which is why I was shocked to see Ang Lee at the helm as director. Here is why Billy Lynn's Long Halftime Walk is disappointing, even with no expectations.Īs a solider (Billy Lynn) is brought home after his time in Iraq, he and the rest of the men from his tour must do a victory walk down the stage during halftime at the Super Bowl.

To be quite honest, this is a film that deserved a documentary made, where the real heroes speak about their past, while this main event is showcased. It's one thing to make a story your own and have an incredible vision placed on-screen, but I think this film tried far too hard to add emotion where it didn't need to be. allows expert authors in hundreds of niche fields to get massive levels of exposure in exchange for the submission of their quality.

Sadly, Billy Lynn's Long Halftime Walk fails to impress on either one of those levels.
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True Stories can either manipulate its audience into thinking there was more to the story than what news platforms had lead on at the time, but they can also just be effective films on their own, even though you know the full story going in.
